After Thanksgiving we changed our menu over at the restaurant. Some of the “new” additions are our restaurant’s classics and I had the intimidating pleasure of being trained to make the pan sauce for our fried sweetbreads by the Big Boss Lady herself. This dish is the essence of the place - challenging (briny right to the edge of what is delicious), soul-satisfying (creamy offal), rich (butter, butter everywhere), a little bit naughty (breaded and deep fried! bacon sauce!), and laden with ritual and superstition.
The sauce is an emulsification involving acidic liquids reduced in bacony fat and fortified with butter. Getting the butter to mount into a sauce without breaking is tricky. As the BBL herself said, sometimes for no apparent reason it breaks, even though you’ve followed the same steps and the same proportions and given it the same care.
It involves lots of swirling a pan off of the heat and adding butter a chunk at a time. I’m clever enough to know within a couple of chunks whether we have a winner or a heartbreaking broken sauce, slightly separated, pooling oil at the top, heavy milk solids settling into the pan like silt. Tonight was the first night I made it, and by the end of the evening my success rate was perfect. Part of my success was due to my ability to constantly move the pan while being onslaught by other tickets (thanks to my newly discovered ambidexterity, I can rely on lefty while righty grabs other pans, stirs other sauces, cracks eggs). But my success had much to do with ritual.
I know in this that I belong in the Prune kitchen.
Several dishes have an occult aspect around what specific tools to use, how to approach the food, and several other cooks have their “routines”, which amount to ritual, which amount to superstition. When I was talking about the sweetbread sauce with one of the other cooks this afternoon, she said, as though it was the most natural thing in the world, “you have to use the one ounce ladle with the ding in the cup. No other ladle will work.” Another mentioned a “ride the sauce” dance that had been passed down from one cook to another, a few gyrations as though you are riding a mechanical bull in slow motion executed while you swirl in the first knobs of butter, ensuring a glossy, creamy sauce.
I dismissed all of this as ridiculous - especially under the watch of BBL, who saw her own ticky suggestion (run your index finger over the hottest part of the pan when you have added all your liquid, show it you aren’t afraid) as science in the face of all other hokum that her recipes hath wrought.
I did run my finger through the sauce each time - mostly because I liked that I could stand the heat of it but also because it felt like I was doing the BBL’s bidding - and I didn’t use the dinged ladle or do the goofy dance, but after breaking the sauce on the first two orders and having to start anew, on the third order I started singing to it.
“Shake it, don’t break it.” I incanted this line with a six count of inaudible jazz riff after, amounting to an eight count repeated three times. It felt right. And it worked.
And it worked for the rest of the orders for this wildly popular dish. Why would I ever stop? It is clearly the way to make the sauce.